I didn’t have an official license for Omnisphere 1, and because I was more interested in pure synthesis at the time, I ditched Omnisphere for a couple of years.īy the way! If you're into pop music, you might want to check out our Fresh Electronic Pop playlist on Spotify Bass sounds led me to Trilianīass is one of the most important instruments in the kind of music I like to make. The first Omnisphere sounded great, but it was an elephant – heavy on the hard drive and on the processor. Omnisphere’s giant library and not-so-modest CPU usage didn’t really speak for it either. So I used a lot of U-he’s products, which are very lightweight and purely synthetic plugins. However, I got attached to the idea of using very lightweight synthesizers that relied only on synthesis, instead of combining samples to the sound. I used to use Omnisphere, when it first came out, and at the time it inspired many tracks. I have a couple of synths that fit well into this kind of workflow – namely Zebra 2 and Hive by U-he, and now, Spectrasonics Omnisphere 2. When the song itself is ready, sounds can be adjusted. Sounds need to be inspiring and preferably futuristic, so that I can quickly compose a cool-sounding demo. I like to find the sound that I need as quickly as possible, and then move on to the vocal melodies. I am a songwriter who likes to spend more time with the melodies, lyrics and arrangement than with the knobs of a synthesizer.
0 kommentar(er)
